Tag Archives: TikTok

Publication; This Is Where We Dance Now: Covid-19 and the New and Next in Dance Onscreen

Cover photo by Elena Benthaus, used with permission. Cover design by Regina Harlig.

We are thrilled to announce the publication of The International Journal of Screendance vol. 12, This Is Where We Dance Now: Covid-19 and the New and Next in Dance Onscreen, at https://doi.org/10.18061/ijsd.v12i0.

As always, the issue is free to download.

This journal special issue arose in part to document and account for how amateur, artistic, and academic communities pivoted to reimagine what it means to practice dance and screendance under what for most of us were unprecedented circumstances, when all dance became screendance. A running theme of this issue is how well our existing understandings of screendance—and indeed of our world as a whole—held up under the pressures of a heavily mediated and mediatized pandemic. The intense and collective (though not universal) turn to screendance and to the internet has revealed and accelerated extant politics, platforms, norms, and genres in dance, while also opening up space to reconsider the values attached to each of these. This journal has always maintained the position that screendance encompasses more than dance film, and this issue reflects a renewed insistence that there is something both useful and urgent about gathering together the various projects of dance onscreen and considering them alongside each other.

We are very excited to have contributors writing from five continents, with articles by L. Archer Porter, Francesca Ferrer-Best, Hetty Blades, Claire Loussouarn, Siobhan Murphy, Callum Anderson, Dara Milovanovic, and Kate Mattingly and Tria Blu Wakpa. Provocations and Viewpoints were contributed by Elisa Frasson, Marisa C. Hayes, Marco Longo, Ariadne Mikou, and Katja Vaghi; Catherine Cabeen; Kathryn Logan; Maïko Le Lay; Sandhiya Kalyanasundaram; Elena Benthaus; Rebecca Salzer; Melissa Blanco Borelly and madison moore; Sumedha Bhattacharyya; Diane Busuttil; and Omari ‘Motion’ Carter. The issue also includes Interviews between Laura Vriend and Nichole Canuso, and Tsiambwom Akuchu and Alexandra Harlig, and a review by Jo Cork.

This issue introduces roundtables as a print format, featuring edited and condensed forms of the three roundtables presented at our March symposium: TikTok and Short-form Screendance, Screendance Festivals and Online Audiences, and The Future of Screendance. Additionally, full-length videos are available on both the journal and conference websites.

The editors Harmony Bench and Alexandra Harlig.

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This Is Where We Dance Now: Covid-19 and the New and Next in Dance Onscreen

This Is Where We Dance Now: Covid-19 and the New and Next in Dance Onscreen is a symposium happening over two weekends—March 12-13 and March 19-20, convened by Harmony Bench and Alexandra Harlig at Ohio State University, US. The symposium will have focused roundtables on TikTok, screendance festivals, and the future of the field, as well as paper presentations and lightning talks. We’ll also have an opportunity for attendees to talk with the editorial board for The International Journal of Screendance and share thoughts and ideas about future directions.

Please see the full schedule and presenter bios at https://u.osu.edu/thisiswherewedancenow/symposium-schedule/

The symposium is free, but everyone must register at https://osu.zoom.us/meeting/register/tJwvcuuhqD4vGNSHPPn2Np_c2d9nwJ3jEoCO. This will generate an email with a link and password to join; there is one Zoom link for the entire symposium.

We will continue to update the website with more information. We will also be on social media with the hashtag #WhereWeDanceNow.

We’re really looking forward to this event, and hope you are too. Please share.

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