Tag Archives: call for papers

Light Moves 2017 – open call

The fourth international Light Moves Festival of Screendance symposium announces its open call for papers and presentations entitled Screendance Through the Senses. The symposium sits within the Light Moves festival and encourages artistic and scholarly exchange, debate and discussion in screendance and related disciplines including performance, dance, film, visual arts, sound and text.

Deadline: Mon 10 July 2017

More details: http://www.lightmoves.ie/open-call-screendance-symposium/

Tagged , , ,

volume 9 call for papers: screening the skin

Screening the Skin: Issues of Race and Nation in Screendance

Guest editors: Melissa Blanco Borelli (Royal Holloway University of London) and Raquel Monroe (Columbia College, Chicago)

This is a call for papers for volume 9 of the International Journal of Screendance. The theme for this volume will interrogate the assumption that the screen is a white space. In similar fashion to Richard Dyer’s work on whiteness, screens and filmic representation, we are interested in questioning the ‘space’ of the screen as one that constructs particular raced imaginaries, yet one that is predominantly imagined as ‘white.’ Just as the art world is questioning the idea of the “white cube” and the gallery space, we would like to find alternative modes and voices for engaging with the idea of a white screen. We would like to receive contributions that showcase a broad range of ideas on how race intersects with screendance, philosophies, aesthetics, mediation, and notions of subjectivity and the artist.

We envision contributions to be centered around the practice and mediation of dance via the screen. Contributors might choose to speak about video artists, practices, media circulation of viral videos, racialized/affective communities as they manifest on screens on the Internets, Holly/Bolly/Nollywood casting and representation practices, screendance festivals, and historiographies of screendance.

Other topics could include:

  • Discourses of decolonizing aesthetics
  • Issues of citizenship, migration, and national identity
  • Intersections of race with gender, sexuality, class, ability, and more
  • The gallery or other spaces of display and presentation
  • Circulation, consumption and commodification of identities and aesthetics

Schedule:

  • Submission Deadline: Friday 1 September 2017
  • Publication Date: April/May 2018 following the peer-review and editorial process

For enquiries regarding this volume please email the IJSD guest editors Melissa Blanco Borelli (melissa.blanco@rhul.ac.uk) and Raquel Monroe (rmonroe@colum.edu).

For general inquiries regarding IJSD please email the editors Harmony Bench (bench.9@osu.edu) and Simon Ellis (simonkellis@gmail.com).

Previous issues of the IJSD are available at www.screendancejournal.org.

Further information

  • Scholarly articles (3500–6000 words) are peer-reviewed in a fully anonymous process. All other contributions will be reviewed by the editorial board: http://screendancejournal.org/about/editorialTeam. We are also interested in publishing Interviews (2000–3000 words), Reviews of books, films, or events (750–1000 words) and Provocations and Viewpoints (750–1000 words). For the purposes of review, please indicate which of the above categories best characterizes your contribution.
  • If you are interested in submitting a contribution that does not fall into the above categories, please contact the editors for additional direction.
  • Authors must register with IJSD at http://screendancejournal.org in order to upload submissions. All submissions should be uploaded by authors in .docx or .rtf format.
  • Please use the IJSD style guide – http://screendancejournal.org/about/submissions#authorGuidelines – to correctly format your document.
  • Example article (to help with formatting and style guide questions): http://dx.doi.org/10.18061/ijsd.v5i0.4423
  • Publications in all sections are indexed, but only scholarly articles are peer-reviewed. Please see IJSD’s Editorial Policies: http://screendancejournal.org/about/editorialPolicies#sectionPolicies for more information.
  • The International Journal of Screendance is published via the Open Journal System: https://pkp.sfu.ca/ojs/.
  • IJSD is published in English and uses American spelling and punctuation.
  • IJSD is published as PDF and HTML files and is fully open access. We serve the screendance field as a whole; therefore, there are no fees for submission, processing, publication, or access to IJSD.
Tagged , ,

International Journal of Screendance Volume 8: call for papers

This is an open call for submissions to Volume 8 of the International Journal of Screendance: http://screendancejournal.org/.

The focus of IJSD is to support and nurture cross-disciplinary writing on screendance. This call is an opportunity for artists and scholars to develop and debate ideas at the intersection of film, dance, visual arts, and media arts. Contributions to IJSD will expand and critique contemporary notions of screen-based images and changing choreographic practices, and engage with theories and philosophies from interdisciplinary fields.

We invite contributions related to all aspects of screendance production, curation, reception, history, and analysis in the forms of scholarly research (articles), interviews, reviews, provocations and viewpoints, visual essays, as well as work by emerging scholars. We particularly welcome contributions from outside the United States and United Kingdom.

Schedule:

  • Submission Deadline: 5 August 2016
  • Publication Date: April 2017

For enquiries please email the International Journal of Screendance editors Harmony Bench bench.9@osu.edu and Simon Ellis simonkellis@gmail.com

Further information

  • Scholarly articles (3500–6000 words) are peer-reviewed in a fully anonymous process. All other contributions will be reviewed by the editorial board. We are also interested in publishing Interviews (2000–3000 words), Reviews of books, films, or events (750–1000 words) and Provocations and Viewpoints (750–1000 words). For the purposes of review, please indicate which of the above categories best characterizes your contribution.
  • If you are interested in submitting a contribution that does not fall into the above categories, please contact the editors for additional direction.
  • Authors must register with IJSD at http://screendancejournal.org in order to upload submissions. All submissions should be uploaded by authors in .docx or .rtf format.
  • Please use the IJSD style guide – http://screendancejournal.org/about/submissions#authorGuidelines – to correctly format your document.
  • Example article (to help with formatting and style guide questions): http://dx.doi.org/10.18061/ijsd.v5i0.4423
  • Publications in all sections are indexed, but only scholarly articles are peer-reviewed. Please see IJSD’s Editorial Policies for more information.
  • The International Journal of Screendance is published via the Open Journal System.
  • IJSD is published in English and uses American spelling and punctuation.
  • IJSD is published as PDF and HTML files and is fully open access. We serve the screendance field as a whole; therefore, there are no fees for submission, processing, publication, or access to IJSD.
Tagged ,

screendance journal call for papers extended deadline

 
INTERNATIONAL JOURNAL OF SCREENDANCE – OPEN CALL FOR SUBMISSIONS VOLUME 6, EXTENDED DEADLINE
 
Submission Deadline: 31 August 2015
 
This is an open call for submissions to Volume 6 of the International Journal of Screendance: http://screendancejournal.org/.
 
We welcome contributions and scholarship that test, provoke and challenge screendance work and practices, debates, and theoretical positions. How might the act of writing about and towards this cross-disciplinary form help scholars and artists subvert the nature, forms, frames, and value of screendance? Recent issues have focused on the relationship of theory and practice in screendance, and community and collaboration. For volume 6, we welcome contributions on any topic relevant to screendance, including intersections with the fields of dance, performance, visual art, cinema and media arts, and the way their practices, technologies, theories, and philosophies assist in contextualizing contemporary work for screen. We also invite essays related to dance in popular media such as television, popular film, and internet platforms.
 
We invite contributions related to all aspects of screendance production, curation, reception, history, and analysis in the forms of scholarly research, interviews, reviews, provocations and viewpoints, visual essays, as well as work by emerging scholars. For the purposes of review, please indicate which of the above categories best characterizes your contribution. All submissions should be uploaded by authors to IJSD’s Open Journal System at screendancejournal.org.
 
Scholarly papers are peer-reviewed in a double-blind process, and should be 3500–6000 words. All other contributions will be reviewed by the editorial board.
 
 
Example article (to help with formatting questions): http://screendancejournal.org/article/view/4423/3910
 
Schedule:
 
Extended Submission Deadline: 31 August 2015
Publication Date: April 2016
 
For enquiries please email the International Journal of Screendance editors Harmony Bench bench.9@osu.edu and Simon Ellis simon.ellis@roehampton.ac.uk.
Tagged ,

Light Moves Festival of Screendance 2015 announces Open Call for Papers and Presentations

Light Moves Festival of Screendance 2015 announces Open Call for Papers and Presentations for Symposium “Peeling Away the Layers”
Closing date: Friday 07 August
Festival dates: 19-22 November, Limerick

Light Moves festival of screendance has announced its open call for presentations and paper proposals for inclusion at the Light Moves Screendance Symposium 2015:  ‘Peeling away the layers’.  The symposium sits within the Light Moves festival and aims to encourage artistic and scholarly exchange, debate and discussion in screendance and related disciplines including performance, dance, film, visual arts, sound and text.  Hosted by Dance Limerick and DMARC (Digital Media and Arts Research Centre), University of Limerick, the Light Moves festival and symposium take place in Limerick from 19-22 November 2015.  Proposals should be submitted in PDF format only to lightmovesfestival@gmail.com by Friday 7th August 2015.  Full details are available from www.lightmoves.ie
Topics
Proposals for presentations, papers and project discussions are invited from national and international practitioners and scholars.  Experimental and/or group formats of presentation are welcome.  Papers and project presentations may include but are not limited to the following areas:
– Screendance as a language for social, cultural and political conversations.
– Let’s talk about digital: Challenging the allure of High Definition; The ubiquitous camera; Primitive technologies, embracing artefact and rediscovering lo-fi.
– Screendance conventions and the interplay between mainstream and experimental practices.
– Mediating and experiencing time in screendance (uninterrupted, compressed and expanded time).
– Harnessing performativity; liveness in screendance.
– Confronting stereotype (body, dance and location).
Submissions:
Proposals should be no more than 300 words and should include:
– Title of paper or presentation
– A maximum 300 word abstract (including brief description of the questions, concepts and topics to be explored)
– Preferred presentation format/approach
– A short biography
– A/V requirements
– Website links supporting the proposal, if available.

Light Moves festival of screendance 2015 takes place in Limerick from 19-22 November and follows the highly successful inaugural event last year.  Ireland’s only festival of screendance, Light Moves is dedicated to the art of dance film and video art with movement as a central theme. The festival is a response to the vibrant and expanding field of dance film / screendance in Ireland.  Light Moves is curated by Jurgen Simpson and Mary Wycherley and combines classics, family screenings, invited works, open submissions, and explorations of screendance with some of the most respected figures in the field.  Light Moves is supported by the Arts Council, Limerick City and County Council, Dance Limerick and DMARC, University of Limerick.  See www.lightmoves.ie

Light Moves 2015 Screendance Symposium Open Call

Tagged , , , , , ,

int j. of screendance – open call for submissions volume 6

Submission Deadline: 31 July 2015

This is an open call for submissions to Volume 6 of the International Journal of Screendance: http://screendancejournal.org/.

We welcome contributions and scholarship that test, provoke and challenge screendance work and practices, debates, and theoretical positions. How might the act of writing about and towards this cross-disciplinary form help scholars and artists subvert the nature, forms, frames, and value of screendance? Recent issues have focused on the relationship of theory and practice in screendance, and community and collaboration. For volume 6, we welcome contributions on any topic relevant to screendance, including intersections with the fields of dance, performance, visual art, cinema and media arts, and the way their practices, technologies, theories, and philosophies assist in contextualizing contemporary work for screen. We also invite essays related to dance in popular media such as television, popular film, and internet platforms.

We invite contributions related to all aspects of screendance production, curation, reception, history, and analysis in the forms of scholarly research, interviews, reviews, provocations and viewpoints, visual essays, as well as work by emerging scholars. For the purposes of review, please indicate which of the above categories best characterizes your contribution. All submissions should be uploaded by authors to IJSD’s Open Journal System at screendancejournal.org.

Scholarly papers are peer-reviewed in a double-blind process, and should be 3500–6000 words. All other contributions will be reviewed by the editorial board.

Style Guide: http://screendancejournal.org/about/submissions#authorGuidelines
Example article (to help with formatting questions): http://screendancejournal.org/article/view/4423/3910

Schedule:

Submission Deadline: 31 July 2015
Publication Date: April 2016

For enquiries please email the International Journal of Screendance editors Harmony Bench bench.9@osu.edu and Simon Ellis simon.ellis@roehampton.ac.uk.

Tagged , ,

community, screendance and writing: seeking submissions

I wanted to explore things that related to my life; less about the studio, more about what’s outside the studio.

– Charles Atlas (2011, https://www.frieze.com/issue/article/life-stages)

This is a call for papers for volume 5 of the International Journal of Screendance. The theme for this volume will be community and screendance, and we are interested in papers that test the ways in which a broad range of ideas about community influence screendance practices, philosophy, debates and work, and, indeed, how screendance practices and critical thinking might help us to question or subvert the nature and value of community.

Topics could include (but are not limited to):

• Interior positions

What happens to screendance practices when makers work from the inside of communities such as companies, collectives, and other organisations? Rather than standing outside existing works, dance companies, and artistic processes and outcomes, what are the ramifications of adopting an interior position? For example, how might thinking and methods from documentary practices and art film practices such as those used by Charles Atlas and Chantal Akerman suggest new strategies and approaches towards screendance?

• Community dance

Community Dance was once a label that signified choreographic processes and products which valued the social more than the artistic. What screendance practices have helped to question or redefine community arts practices? For example, practitioners like Andy Wood (UK) and Doug Rosenberg (USA) create work with and for their communities (and often with their friends). How is screendance being made through ideas of community? What are the community practices of screendance and why might they be important? Might these relatively small-scale community-oriented screendance practices be considered radical as our understanding of the idea of the social is stretched by the global reach of social media?

• Beyond and because of the computer

Ubiquitous personal computers – particularly laptops – with free video editing software lie at the heart of post-production techniques in film-making and screendance. These techniques happen, for the most part, alone. What might this solitude reveal about community in screendance? If working in your bedroom through a single screen is also about accessing the work of other people in your screendance community, then how does this change and feed our practices? From online tutorials, to the sharing of practices, tests and films, as we work alone we are part of various social interfaces that inform, nurture, and change our thinking and practice.

• Crowd funding

Has the rise of crowd-funding generated new or alternative economies that might support radical practices, emerging practice and minority practices? What alternatives exist, and how might work with – or experiences of – crowd funding generate or facilitate critical thinking about how our practices are part of social economies of practice, support and presentation?

• Support and collaboration

What mechanisms and approaches through various types of communities allow us to practice and thrive as individual artists with distinct visions, and how do such communities allow us to support each other? What collaborative screendance practices are emerging as artists respond to complex and demanding socio-economic environments?

• Screenings and festivals

Screendance festivals are the most common platform for screendance artists to develop and participate in communities around the world. They are where we show and discuss work, meet other practitioners, and have our work placed alongside other works in programs that are curated to a greater or less extent. But what of other methods for showing work? For example, how might single screenings build, disrupt or broaden our understanding of community?  Further to this, what role do screenings of canonical screendance works – Maya Deren, Stan Brakhage – have to play in developing community-based dialogues about our discipline?

We invite contributions of scholarly research, interviews, reviews, provocations, viewpoints, visual essays, and work by emerging scholars on the theme of community. For the purposes of review, please indicate which of the above categories best characterize your contribution. Please note: scholarly papers are peer-reviewed in a double-blind process, and should be 3500-6000 words. All other contributions will be reviewed by the editorial board. The deadline for all contributions is 1 August 2014. The volume will be published online in March 2015 following the peer-review and editorial process.

Previous issues of the IJSD are available at http://journals.library.wisc.edu/index.php/screendance.

Volume 5 of IJSD will be published online using the Open Journal System at screendancejournal.org.

Very best wishes

Harmony Bench and Simon Ellis (editors, Int J. of Screendance)

bench.9@osu.edu

simon.ellis@roehampton.ac.uk

Tagged , ,