We are pleased to announce that “Choreographing The Archive, Interfaces between Screendance and Archival Film Practices” in volume 13 of The International Journal of Screendance has been published online and is available to read following the link below. This thematic section explores a range of archival approaches and was initially imagined as a space for reflection on the growing number of international screendance projects created from archival and found footage. However, the papers submitted here reflect a much wider framework of research beyond the archive as source material that inspire readers to question the very notion of the archive itself.
We are very grateful to Kyra Norman, the editorial team and editorial board for their continued support. It has been a very exciting journey to immerse ourselves into various approaches and perspectives of archive in screendance, and we are sincerely thankful to the authors who kindly contributed to the topic.
We hope you enjoy the plunge into this new assembly of articles, reviews, images and interviews.
We are thrilled to announce the publication of The International Journal of Screendance vol. 12, This Is Where We Dance Now: Covid-19 and the New and Next in Dance Onscreen, at https://doi.org/10.18061/ijsd.v12i0.
As always, the issue is free to download.
This journal special issue arose in part to document and account for how amateur, artistic, and academic communities pivoted to reimagine what it means to practice dance and screendance under what for most of us were unprecedented circumstances, when all dance became screendance. A running theme of this issue is how well our existing understandings of screendance—and indeed of our world as a whole—held up under the pressures of a heavily mediated and mediatized pandemic. The intense and collective (though not universal) turn to screendance and to the internet has revealed and accelerated extant politics, platforms, norms, and genres in dance, while also opening up space to reconsider the values attached to each of these. This journal has always maintained the position that screendance encompasses more than dance film, and this issue reflects a renewed insistence that there is something both useful and urgent about gathering together the various projects of dance onscreen and considering them alongside each other.
We are very excited to have contributors writing from five continents, with articles by L. Archer Porter, Francesca Ferrer-Best, Hetty Blades, Claire Loussouarn, Siobhan Murphy, Callum Anderson, Dara Milovanovic, and Kate Mattingly and Tria Blu Wakpa. Provocations and Viewpoints were contributed by Elisa Frasson, Marisa C. Hayes, Marco Longo, Ariadne Mikou, and Katja Vaghi; Catherine Cabeen; Kathryn Logan; Maïko Le Lay; Sandhiya Kalyanasundaram; Elena Benthaus; Rebecca Salzer; Melissa Blanco Borelly and madison moore; Sumedha Bhattacharyya; Diane Busuttil; and Omari ‘Motion’ Carter. The issue also includes Interviews between Laura Vriend and Nichole Canuso, and Tsiambwom Akuchu and Alexandra Harlig, and a review by Jo Cork.
This issue introduces roundtables as a print format, featuring edited and condensed forms of the three roundtables presented at our March symposium: TikTok and Short-form Screendance, Screendance Festivals and Online Audiences, and The Future of Screendance. Additionally, full-length videos are available on both the journal and conference websites.