Category Archives: Information

Screendance curation, postcolonial and feminist perspectives and image technologies

Regards Hybrides is preparing for the next festival 21-24th November, in Montreal Canada: “An International Forum returns with its second edition. Conceived as a key event dedicated to the interaction between dance and cinema in the age of digital media, the Internet and the multiplication of screens in our daily lives, the forum gathers researchers, artists and the general public around artworks and major issues. This year, artist and curator Priscilla Guy invites us to take a critical look at the interactions between dancing bodies and cameras through popular culture and low-tech creation. In a sea of technological innovation, what becomes of creativity on a human scale and its impact on our relationship with the world on a daily basis? Favouring postcolonial and feminist perspectives, twenty guests from Canada and abroad will share their thoughts as part of screenings, performances, lectures, and round-table discussions.” 

Video teaser : https://vimeo.com/367805003

Detailed program and online box office : https://tangentedanse.ca/en/event/rirh-2019/

FB event : https://www.facebook.com/events/2399146826982803/

English Press Release to follow.  French press release

Contributing to the enquiry into the relation between image technologies and modes of representation Claudia Kappenberg (United Kingdom) has curated a programme by UK-based filmmakers:

  • Priya / Directed by: Alia Syed / 16mm/ 11 min / 2012 / United Kingdom
  • How the earth Must see itself / Directed by: Lucy Cash / 16mm transferred to HD/ 11 min / 2019 / United Kingdom
  • Blues in B-flat / Directed by: Jayne Parker / Digibeta from original 16mm/ 8 min / 2000 / United Kingdom
  • Pace / Directed by: Katrina McPherson, Marisa Zanotti / Beta/ 4 min / 1995 / United Kingdom
  • Snow / Directed by: David Hinton, Rosemary Lee / found film footage/ 8 min / 2003 / United Kingdom
  • KLIPPERTY KLÖPP 2 / Directed by: Andrew Kötting / 16mm and HD/ 12 min / 2017 / United Kingdom
  • Sunday / Directed by: Gina Kawecka / Video/ 8 min / 2014 / United Kingdom
  • State of Grace / Directed by: John Smith / HD/ 3 min / 2019 / United Kingdom
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Call for entries for Film Rush

From Gitta Wigro, The Place, London UK:

I am pleased to share with you the call for entries for Frame Rush, the festival run by the students on The Place‘s brand new MA in #ScreendanceThey are a fab bunch of artists, and I can’t wait to see the vibrant and rich event they will create.

Submissions are via FilmFreeway; it’s free to submit and the call closes on 7 January 2019.  

The festival itself will take place over two days on 15-16 March 2019, at The Place in London. 

https://filmfreeway.com/FrameRush

https://www.lcds.ac.uk/frame-rush-place-screendance

Best wishes,

Gitta Wigro

Gitta Wigro, dance | film projects

Website http://gwigro.wordpress.com

Dance film news feeds http://www.facebook.com/videodanceMVB and http://twitter.com/dance_film

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Call for Submissions of Screendance for the Conference Jews and Jewishness in the Dance World at Arizona State University, October 2018

On Saturday evening, October 13th, 2018, the Jews and Jewishness in the Dance World Conference will present an evening of curated dance films as a conference offering and is seeking submissions.

Echoing the conference description, the scope, definition and audience for this call for submissions is deliberately broad and inclusive. Works submitted should address some of these concerns:

  • Without settling on a singular notion of a Jewish point of view, does the perspective of this film present a Jewish one?
  • How is experience, memory, tradition, identity, struggle, celebration framed through a notion of Jewishness?
  • What are the cultural/geographical/historical lenses through which those experiences are presented/seen?
  • Are notions of “Jewishness” reflected in the perspective of the choreographer, the cinematic and/or editing choices, the identities of the performers, the movement vocabularies, the locations, and thematic content of the work, i.e., immigration, social justice, progressive human rights, health and well–being, etc.?
  • How have Jews re-presented the dancing body and how are those bodies placed within the site of screendance?
  • How can the camera bring Jewish dancing bodies of color and diverse ethnicities to the screen?
  • How have Jews contributed to the instantiation and rise of screendance as an art form and how does your work fit into or challenge that trajectory?

 

Criteria

Work submitted:

  • Must exemplify the merging of the art form of choreography with cinematography in the genre of screendance and must not be a documentary nor a documentation of a stage performance.
  • Submissions must include a 200 word or less statement that addresses at least one of the above questions/concerns.
  • All dance forms are welcome.
  • Must not be longer than 15 minutes.

There is no limitation as to when the films were created.

There is no submission fee.

Submit to: https://filmfreeway.com/JewishDanceConference

Deadline for submissions: July 20, 2018

Questions? Contact Ellen Bromberg: e.bromberg@utah.edu

You can also see this as a shareable PDF at: https://drive.google.com/file/d/10RcGg2JjRv-a-yycs1s96hbheetK9Vq-/view?usp=sharing

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LONDON CONTEMPORARY DANCE SCHOOL LAUNCHING NEW MA IN SCREENDANCE

London Contemporary Dance School is launching a new Master of Arts programme focusing on the artistic practice, curation and scholarship of Screendance. As the only MA in the world that currently specialises in Screendance, the programme offers a much needed arena for further exploration by practicing artists already making work for screen who are seeking to develop their practical, professional and creative skills.

The programme will be delivered by a leading practitioners in the art from including Gitta Wigro, Lucy Cash, Claudia Kappenberg and course leader Gabriella Tropia. The MA is subject to validation by the University of Kent. The course will commence in September 2018 with applications opening end of January 2018.

London Contemporary Dance School is part of the creative powerhouse for new dance The Place, which is located in the heart of London’s Knowledge Quarter an area of one mile radius that is home to 75 academic, cultural, research, scientific and organisations including British Library, Central Saint Martins, UCL, Crafts Council, Sadler’s Wells and Google.

Clare Connor, Chief Executive of The Place said about the programme; ‘As the leading home for new dance we are pleased to offer this trailblazing MA course that will nurture innovation and entrepreneurship for artists who seek to lead and shape this flourishing art form.’

For more information about the course and how to apply. www.lcds.ac.uk/screendance

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Maya Deren Forum – Spiel und Ritual

For all those in or around Wuppertal, Germany

Donnerstag, 9. November 2017, 19:00 Uhr, Eintritt frei

2017 wäre Maya Deren 100 Jahre alt geworden. Die 1917 geborene Avantgarde-Filmemacherin, Tänzerin, Poetin, Autorin, Anthropologin und Ausgangspunkt dessen, was kurz darauf als Choreo-Cinéma benannt wurde, hat Künstler und Denker verschiedenster Hintergründe gleichermaßen beeinflusst; insbesondere im Experimentalfilm und in der Verbindung von Film und Tanz.

Vortrag und Film-Screening
Referenten: Florence Freitag and Dr. Claudia Kappenberg

Wo:

Neuer Kunstverein Wuppertal

Hofaue 51 (Kolkmannhaus)

42103 Wuppertal

www.tanzrauschen.de/maya-deren-100/

Die Veranstaltung ist eine Kooperation von Tanzrauschen e.V. Wuppertal und Neuer Kunstverein Wuppertal e.V.

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The International Journal of Screendance Volume 8: Solo/Screen now online

IJSD_v8_2017_CoverSoloScreen

IJSD 8 (2017) Solo/Screen. Cover image and design by Carol Breen.

Volume 8 (2017) of The International Journal of Screendance is now available online. Contributors to volume 8 are: Hetty Blades, Kyle Bukhari, Carol Breen, Rosemary Candelario, Marie-Louise Crawley, Cara Hagan, Anna Heighway, Rosemary Lee, Anna Macdonald, Ariadne Mikou, Tracie Mitchell, Eiko Otake, Katja Vaghi, and John White. Volume 8 was edited by Harmony Bench and Simon Ellis with editorial assistance from Carol Breen. Tamara Tomić-Vajagić is Reviews Editor.

Journal website: http://screendancejournal.org/

Volume 8 direct link: http://dx.doi.org/10.18061/ijsd.v8i0

Be watching for a call for papers for volume 9, guest edited by Melissa Blanco Borelli (Royal Holloway University of London) and Raquel Monroe (Columbia College Chicago) on the theme Screening the Skin: Issues of Race and Nation in Screendance.

Call for Papers – Vidéo Danse de Bourgogne (France)

International Screendance Conference 2017 : Low-tech/Old-tech

Cameras do not make films; filmmakers make films. – Maya Deren

The fifth annual Screendance Conference held during the Festival International de Vidéo Danse de Bourgogne (France) is currently seeking papers that address the theme: low-tech/old-tech.  The conference will take place on June 1-2, 2017 at the University of Burgundy in Le Creusot, France.

As a festival that has consistently favored ideas and artistic ingenuity over imposing the use of so-called “high production values”, this year’s conference theme proposes an investigation into the aesthetics, politics, and practices surrounding the rejection of: environmental waste created by technological consumerism, equipment monopolies that limit creative freedoms, as well as the normalization of HD and other production values that potentially limit creation, curation, and distribution opportunities in screendance. Papers that consider how screendance has and can encourage an exchange of ideas and new forms of expression by eschewing capitalist economies of filmmaking in favor of radical re-imaginings of low-tech and old-tech equipment will be presented in the form of moderated panels, round tables and individual talks. Proposals for individual papers and/or entire panels will be considered.

Topics may include, but are not limited to:

  • How economies of screendance include and exclude filmmakers during production, curation and/or distribution.
  • Re-evaluating the notion of production “values” – What is of value in production? And who decides?
  • Reuse and recycle – radical aesthetics and re-imagining of old and low-budget technologies. From the dirty camera lenses of Guy   Madden intentionally left opaque, to guerilla street filming tactics, how are old and low technologies engaged within the hybrid framework of screendance and to what ends?
  • Screendance pedagogy – using low-tech and/or old-tech devices to teach screendance and engage with communities, professionals, and/or students.
  • Analyses of individual films past and present that resonate with the conference theme are also encouraged.

In addition to film and performance studies, presentations that draw on complementary fields such as curatorial studies, art history, and other areas of creative and intellectual inquiry are welcome.

To propose a paper, please send a 500 word abstract that clearly states your topic, thesis, and supporting ideas. Keep in mind that paper presentations are normally twenty minutes in length. It is better to focus on one or several central ideas than to be overly ambitious in scope, which leaves little time for in depth consideration of the proposed topic. Please include a biography or C.V. with your proposal. Artist presentations (practice-based research) proposals are eligible, but must have a clear research focus that relates to the theme. Alternative presentation formats are welcome, but please describe your proposed format and technical needs clearly. The working language of the conference is English. Deadline for proposals: March 21, 2017. E-mail proposals to: info@videodansebourgogne.com  All proposals receive a confirmation e-mail upon receipt. Further notification will be sent to all proposals before April 1 via e-mail regarding status of acceptance. The call is also available at: https://videodansebourgogne.com/2013-screendance-conferencecolloque-cine-danse-2013/

About the conference: For five years the Festival International de Vidéo Danse de Bourgogne has proposed an annual two-day conference intended as an international meeting place for artists, scholars, students, and anyone interested in the intersections of choreography and the moving image. Occurring during the festival week, evening screenings, informal talks and other meet-ups compliment the conference presentations. Le Creusot is a small city situated on the train line between Paris and Lyon (one hour from Paris on the speed train, 20 minutes from Lyon). There is no fee to participate in the conference. Conference presentations may be invited for publication on the Screendance Studies blog or future publications, such as our 2015 book, Art in Motion: Current Research in Screendance:

http://www.cambridgescholars.com/art-in-motion

CHOREOCINEMA, Jan 2017 at the Barbican

Choreocinema: Counterpoints (15*) + ScreenTalk with Siobhan Davies & Miranda Pennell

Hosted by Claudia Kappenberg

24 January 2017 / 18:30
Cinema 3

Siobhan Davies and Miranda Pennell are both artists trained in dance who apply choreography to film. This evening they will present a selection of films and converse about the exploration of movement and stasis in their work.

The programme includes:

You Made Me Love You (
UK 2005) Dir Miranda Pennell 4 min

Why Colonel Bunny Was Killed (
UK 2010) Dir Miranda Pennell 28 min

The Running Tongue (UK 2015) Dir Siobhan Davies and David Hinton 30 min

Extract from All This Can Happen (UK 2012) Dir Siobhan Davies and David Hinton 50 min

This event is part of:

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All This Can Happen @ The White Cube London 6/10/2016

hat-sceneFilm on Sunday: Artist’s Choice

All This Can Happen: Chosen by Antony Gormley

White Cube Auditorium, Bermondsey
144 – 152 Bermondsey Street
London
SE1 3TQ

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OPEN CALL: Maya Deren 100 Wuppertal, Germany, June 16-18 2017

allsoulsinvited“Unstable Equilibrium / Instabiles Gleichgewicht” Maya Deren 100

Symposium/Screenings/Interventions  June 16-18 2017

Location: Neuer Kunstverein Wuppertal e.V., Wuppertal, Germany

Call for papers: submission deadline: 5 December 2016

For enquiries please email the curators of the symposium Claudia Kappenberg (C.Kappenberg@brighton.ac.uk) and Florence Freitag (florence.freitag@gmail.com)

2017 marks the year of Maya Deren’s 100th anniversary. Born in 1917, the Avant-Garde filmmaker, dancer, poet, writer, anthropologist and catalyst for what is called Choreo-Cinéma, has influenced artists and thinkers from different fields, in particular those interested in experimental film and in the intersection of film and dance. In 2017 her work is still relevant in terms of the images it offers, the stories it tells and the questions it asks about individual experience, communal traditions and our narratives. The interdisciplinarity of her work marks her as a pioneer of hybrid visual languages and has much to offer to contemporary artists whose work increasingly negotiates between different practices, languages and traditions. Whilst being highly refined and specific Deren’s work claims a “touche-à-tout”. This event will reflect on Deren’s work from several perspectives, to re-examine not only her films, but also her writing and her anthropological research into Haitian rituals and voudoun. Maya Deren 100 will run over three days and in three parts, with a symposium, a series of screenings, and interventions by contemporary artists.

Maya Deren – REpositioned aims to historically review and contextualise her work, her principles, aesthetics and methods from diverse contemporary perspectives. Engaging with Deren’s artistic, theoretical and pedagogical discourse, the symposium aims to foster discussions on choreographic, visual and performative languages, on the role and potentiality of narratives, on collaborations and on the idea of metamorphosis or change as suggested by Deren’s notion of Unstable Equilibrium. Furthermore, proposals are invited that examine Deren’s writings on ritual, her concern with time, space and matter, as well as those engaging with dialogues between (digital) screen bodies and live bodies, screen space and narrative time. Finally, Deren’s output as both female artist/auteur and as the main performer in her work is to be re-examined from today’s point of view.

Papers and project presentations may include, but are not limited to, the following areas:

→ Film & digital bodies vs live bodies

→ Choreo-Cinéma as/vs live performance

→ Film & poetry (e.g. vertical and other narratives)

→ Film & ritual, ritual and play

→ Anthropology as practice

→ Relation to time, space and place

→ Film and dance and relevant hybrid language

→ Documentation as practice (including the subject/object in front and behind the camera)

→ Instability, hybridity and continuity in the arts

Proposals should be no more than 300 words and must include:

  • Presentation title
  • 300 word abstract, to include a brief description of the questions, concepts and topics to be explored
  • Preferred presentation format/approach
  • AV requirements
  • Short biography

Maya Deren 100/Unstable Equilibrium is a project produced by Tanzrauschen e.V. (Sigurd-Christian Evers and Kerstin Hamburg) and Neuer Kunstverein Wuppertal e.V., organized in collaboration with initiator/artistic director Florence Freitag, as well as curators Claudia Kappenberg (University of Brighton, UK, International Journal of Screendance) and Dr. Elinor Cleghorn.

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