The fourth international Light Moves Festival of Screendance symposium announces its open call for papers and presentations entitled Screendance Through the Senses. The symposium sits within the Light Moves festival and encourages artistic and scholarly exchange, debate and discussion in screendance and related disciplines including performance, dance, film, visual arts, sound and text.
Deadline: Mon 10 July 2017
More details: http://www.lightmoves.ie/open-call-screendance-symposium/
This is a call for papers for volume 9 of the International Journal of Screendance. The theme for this volume will interrogate the assumption that the screen is a white space. In similar fashion to Richard Dyer’s work on whiteness, screens and filmic representation, we are interested in questioning the ‘space’ of the screen as one that constructs particular raced imaginaries, yet one that is predominantly imagined as ‘white.’ Just as the art world is questioning the idea of the “white cube” and the gallery space, we would like to find alternative modes and voices for engaging with the idea of a white screen. We would like to receive contributions that showcase a broad range of ideas on how race intersects with screendance, philosophies, aesthetics, mediation, and notions of subjectivity and the artist.
We envision contributions to be centered around the practice and mediation of dance via the screen. Contributors might choose to speak about video artists, practices, media circulation of viral videos, racialized/affective communities as they manifest on screens on the Internets, Holly/Bolly/Nollywood casting and representation practices, screendance festivals, and historiographies of screendance.
Other topics could include:
For enquiries regarding this volume please email the IJSD guest editors Melissa Blanco Borelli (melissa.blanco@rhul.ac.uk) and Raquel Monroe (rmonroe@colum.edu).
For general inquiries regarding IJSD please email the editors Harmony Bench (bench.9@osu.edu) and Simon Ellis (simonkellis@gmail.com).
Previous issues of the IJSD are available at www.screendancejournal.org.
This event explores how filmmakers of colour are responding to new technologies, creating fresh work that is opening up new spaces for conversation around the exclusivity of filmmaking.
https://www.ica.art/whats-on/visual-cultures-decoding-music-video
Friday 30 March 2017
Institute of Contemporary Arts, London
6:30pm
This is an open call for submissions to Volume 8 of the International Journal of Screendance: http://screendancejournal.org/.
The focus of IJSD is to support and nurture cross-disciplinary writing on screendance. This call is an opportunity for artists and scholars to develop and debate ideas at the intersection of film, dance, visual arts, and media arts. Contributions to IJSD will expand and critique contemporary notions of screen-based images and changing choreographic practices, and engage with theories and philosophies from interdisciplinary fields.
We invite contributions related to all aspects of screendance production, curation, reception, history, and analysis in the forms of scholarly research (articles), interviews, reviews, provocations and viewpoints, visual essays, as well as work by emerging scholars. We particularly welcome contributions from outside the United States and United Kingdom.
For enquiries please email the International Journal of Screendance editors Harmony Bench bench.9@osu.edu and Simon Ellis simonkellis@gmail.com
Harmony Bench and Simon Ellis are pleased to announce that Volume 6 of the International Journal of Screendance is now online:
http://screendancejournal.org/issue/view/167
The journal is fully open access.
Thanks to all the contributors, reviewers, copy-editors, OJS support at Ohio State (Melanie Schlosser and Ingrid Schneider), and to both the Centre for Dance Research (C-DaRE, Coventry University) and The Ohio State University for their support.
This year’s Leeds International Screendance Competition is on Wednesday 11 November at 6pm at Everyman Leeds.
The deadline is now closed and the selection panel have studied 164 international submissions, to nominate ten compelling shorts for the expert jury to choose a single winner from. The international jury is now confirmed in Marisa C. Hayes (co-director of the International Video Dance Festival of Burgundy) Leonel Brum (co-director of dança em foco in Brazil) and Professor Dr. Liz Aggiss (artist & filmmaker). These ten films selected will go on to comprise the screening in Leeds on 11 November. Don’t miss it!
After last years resounding success, LIFF and Yorkshire Dance are delighted to present the city’s second Screendance Competition, a captivating programme of international short films that explore the site where cinematography and dance converge. Sometimes narrative and sometimes abstract, these shorts all maintain a keen engagement with movement or choreography. Don’t miss this opportunity to enjoy a stunning selection of beautifully produced dance films, spanning a wide variety of styles and approaches to this burgeoning genre. Vote for your favourite and compare your choice with the final winner singled out by our international expert jury.
– Andy Wood
More information:
https://www.facebook.com/LIFFScreendance
http://www.leedsfilm.com/films/leeds-screendance-competition/
http://www.danceuk.org/news/article/leeds-international-film-festival/
In this brief screencast International Journal of Screendance co-editor Simon Ellis outlines the basics of the Open Journal System: how to create a user account and how to upload a submission to the journal.
Submission Deadline: 31 July 2015
This is an open call for submissions to Volume 6 of the International Journal of Screendance: http://screendancejournal.org/.
We welcome contributions and scholarship that test, provoke and challenge screendance work and practices, debates, and theoretical positions. How might the act of writing about and towards this cross-disciplinary form help scholars and artists subvert the nature, forms, frames, and value of screendance? Recent issues have focused on the relationship of theory and practice in screendance, and community and collaboration. For volume 6, we welcome contributions on any topic relevant to screendance, including intersections with the fields of dance, performance, visual art, cinema and media arts, and the way their practices, technologies, theories, and philosophies assist in contextualizing contemporary work for screen. We also invite essays related to dance in popular media such as television, popular film, and internet platforms.
We invite contributions related to all aspects of screendance production, curation, reception, history, and analysis in the forms of scholarly research, interviews, reviews, provocations and viewpoints, visual essays, as well as work by emerging scholars. For the purposes of review, please indicate which of the above categories best characterizes your contribution. All submissions should be uploaded by authors to IJSD’s Open Journal System at screendancejournal.org.
Scholarly papers are peer-reviewed in a double-blind process, and should be 3500–6000 words. All other contributions will be reviewed by the editorial board.
Style Guide: http://screendancejournal.org/about/submissions#authorGuidelines
Example article (to help with formatting questions): http://screendancejournal.org/article/view/4423/3910
Submission Deadline: 31 July 2015
Publication Date: April 2016
For enquiries please email the International Journal of Screendance editors Harmony Bench bench.9@osu.edu and Simon Ellis simon.ellis@roehampton.ac.uk.
We are pleased to announce that Volume 5 of the International Journal of Screendance is now live:
http://screendancejournal.org/issue/current#.VVEPyRcuSI0
In this volume, contributors respond to the theme of “community and screendance”.
