Screendance makers and scholars often lament the lack of exhibition possibilities outside the common dance film festival format, that is annual competitive screenings that rarely diverge from a discipline-based curatorial approach and focus exclusively on new works of screendance. What might an alternative model look like? Papers and events have continued to revisit the question with varying degrees of success, exploring the setting and duration of screenings, as well as thematic programming, among others. On a recent visit to Liverpool’s Tate Modern, I was inspired by the exhibition ‘Constellations’, a show that organizes works of art into nine different ‘star clusters’, distinct sections arranged conceptually around one influential work designated as the ‘trigger’ :
…the displays offer a fresh way of viewing and understanding artworks through correspondences rather than chronological narrative.
Acting as the originating ‘trigger’ of each constellation is one artwork that has been chosen for its revolutionary effect on modern and contemporary art. Each of these trigger works is displayed among artworks that relate to it, and to each other, across time and location of origin. Chosen for their similarity to, apparent difference from or transformation of the trigger work, each grouping creates an accumulation of relationships and meaning that extends the themes and concerns of the originating work. (http://www.tate.org.uk/whats-on/tate-liverpool/display/dla-piper-series-constellations).
Imagine the exciting possibilities of experiencing screendance ‘constellations’ that engage in dialogue with one another across diverse eras, styles and formats. What would your first cluster of ‘stars’ look like? The ‘Constellations’ exhibition has certainly inspired me to reflect on alternative curatorial approaches that might allow my own work in screendance programming to provide audiences with a deeper and alternative exploration of the medium and its rich ongoing histories. For anyone interested in brainstorming further on the relationship between screendance and curatorial practices, the electronic journal OnCurating is an interesting resource: http://www.oncurating-journal.org.
–Marisa C. Hayes