In this talk for The Bruce Initiative for Rethinking Capitalism Randy Martin reads dance in terms of sovereignty, rule, governance and capacity, and he reads capitalism through dance. He concludes by saying: ” Dance is straddling between two major strategies of art: the utopian which we have now brought from the distant spectacle into a kind of tactile form, and the interventionist, which is about methods, techniques and the means through which we achieve what we would like to become.”
How does this translate to screendance? It could be argued that screendance is utopian, in that it is the sphere of the imaginary, of invented space-time and mobility. But the screen can also scrutinize, mirror and confront. So perhaps it can equally be interventionist in that it looks back at us and at the everyday?